What are the members of CDS’s judging panel for the CDS Documentary Essay Prize looking for in a successful photographic essay, one that is strong enough to win the competition?
All entries must have one thing in common: evidence that they were created with reliance on documentary methods and immersive fieldwork. We are interested in work that directs its gaze outward, that curiously engages with the world, and that is, as former CDS director Tom Rankin describes, “derived from an in-depth understanding of place, history, and the current situation, in concert with a personal relationship to the proposed work. Ultimately, the commitment is to use documentary expression to motivate the thinking and reﬂection of others.” The judging will be based only on the work as presented, with focus on the strength and nuance of the essay submitted as a narrative; the subject matter can be weighty or light-hearted.
The competition’s review and selection process is geared toward fairness. An entry is reviewed again (and again) if even only one panelist would like to keep it under consideration.
Submissions should include at least 5 photographs made in the last two years.
Are there restrictions on who can apply?
The prize is intended to reward a single artist for excellence in documentary photography on any subject.
There are no restrictions on the age and nationality of the applicants. Individuals currently associated with the Center for Documentary Studies are not eligible for the prize.
How many times can I enter?
You can submit as many entries as you wish, however, please note: If you are submitting multiple essays will need to register online at http://dukearts.slideroom.com with a different e-mail address for each entry. (All of your other contact information, except the email address, can stay the same.) Multiple entries must be for distinct and separate works.
If I have trouble submitting my entry, whom do I contact?