Margaret Sartor is a photographer and writer whose past projects include What Was True: The Photographs and Notebooks of William Gedney (with co-editor Geoff Dyer) and the best-selling memoir Miss American Pie: A Diary of Love, Secrets, and Growing up in the 1970s. Her photographs are in many permanent and private collections and have appeared in Aperture, DoubleTake, Esquire, Harper's, and The New Yorker, among other publications. At CDS, Sartor teaches the seminar Photography in Context: Photographic Meaning and the Duke Photography Archive. “Given the centrality of photography in our culture,” she explains, “it seems increasingly important to examine the assumptions that govern our understanding of the medium. In this course, students will analyze bodies of photographic work, taking into consideration their own response to the images, the historical moment in which the pictures were made, the personal history and artistic sensibility of the photographer, the tools of the medium, and the ways in which all of these factors come together to create a meaningful depiction of the world.” Currently, Sartor’s own work, as a writer and a photographer, focuses on her family and childhood home of Monroe, Louisiana.