Scene on Radio: Seeing White producer John Biewen. Photograph by Kathryn Banas.
The Center for Documentary Studies (CDS) is pleased to announce that a series on its Scene on Radio podcast, produced by CDS audio director John Biewen, has been nominated for a 2017 Peabody Award. The podcast aims to explore human experience and the society we’re making for ourselves in America.
Throughout 2017, the Center for Documentary Studies (CDS) contributed to the Oxford American’s then-new online publication series, The By and By, as part of the magazine’s 25th anniversary celebration. CDS will continue as a regular contributor to the series in 2018.
Left: Flyer detail from Mother, Me. Right: Flyer detail from More Than a Mentor.
The Lewis Hine Documentary Fellows Program at the Center for Documentary Studies is pleased to invite you to two upcoming exhibitions showcasing the work of the Program’s 2016-2017 Fellows. Both events are free and open to the public.
With a grant of $225,000 from the National Endowment for the Humanities, the Center for Documentary Studies at Duke University (CDS) and other Duke partners will build on their multi-year collaboration with the SNCC Legacy Project (SLP) to re-examine the history of voting rights, and its lessons for strengthening American democracy from the ground up.
As part of a strategic priority to diversify the documentary field, the Center for Documentary Studies at Duke University (CDS) has launched a three-year pilot program made possible in part by a grant from the William R. Kenan, Jr. Charitable Trust. The goal of the Documentary Diversity Project (DDP) is to build pathways for more people of color to participate in the documentary arts and to become nonfiction storytellers, gatekeepers, and critical consumers; to amplify their achievements; and to promote their work. DDP participants in the three-year pilot phase will include post-MFA Fellows in the Documentary Arts (generally, ages 24–32) as well as Emerging Documentary Artists (ages 18–24).
Kim submitted the winning proposal, Severance, a visual “novel” that incorporates text and archival and family photographs to explore a personal and political history of the Demilitarized Zone (DMZ), the 155-mile-long, four-mile-wide swath of land that divides North Korea and South Korea. The project is an ongoing body of work meant to “share the history and human element of this temporary and tragic geopolitical division and landmark,” Kim writes.