Dorothea Lange–Paul Taylor Prize

Pilo in leaves, Lampazos de Naranjo, Nuevo León, Mexico, 2016. Photograph by Daniel Ramos, winner of the 2018 Lange-Taylor Prize.
Pilo in leaves, Lampazos de Naranjo, Nuevo León, Mexico, 2016. Photograph by Daniel Ramos, winner of the 2018 Lange-Taylor Prize.

THE SUBMISSION DEADLINE FOR THE 2019 LANGE-TAYLOR PRIZE HAS BEEN EXTENDED TO MAY 22, 2019. Entries must be submitted no later than May 22, 2019. The winner of the 2019 Lange-Taylor Prize will be publicly announced in September 2019. See How to Enter and FAQs.

First announced in 1990, the Dorothea Lange–Paul Taylor Prize was created by the Center for Documentary Studies at Duke University to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.

Like Lange and Taylor, and all serious documentarians, the competitive applicants to this prize have a point of view derived from an in-depth understanding of place, history, and the current situation, in concert with a personal relationship to the proposed work. Ultimately, their commitment is to use documentary expression to motivate the thinking and reflection of others. 

In 2011, in recognition of the changing environment in which documentary artists conduct their work, we reframed the prize guidelines to allow single artists to apply. In part, this new approach to the prize was inspired by the Center for Documentary Studies’ commitment to the Master of Fine Arts in Experimental and Documentary Arts at Duke University, which brings together two forms of artistic activity—the documentary approach and experimental production in analog, digital, and computational media.

The Lange-Taylor Prize is intended to support artists, working alone or in teams, who are engaged in extended, ongoing fieldwork projects that fully exploit the relationship of words and images in the powerful, persuasive representation of a subject.

The prize is not awarded for completed projects or to support the production of a book, exhibit, website, or other outcomes.

The winner receives $10,000, features in Center for Documentary Studies’ digital publications, and inclusion in the Archive of Documentary Arts at Rubenstein Library, Duke University.

Daniel Ramos is the 2018 winner of the Dorothea Lange–Paul Taylor Prize.

See past prizewinners.