Kreps and Lyndhurst Galleries
The idea of a “Jemima Code” came to Toni Tipton-Martin as she was researching the varied history of African-Americans working in America’s kitchens. She discovered that they were virtually invisible. The character, Aunt Jemima, was built on a myth that combined various characteristics of African-American women into one, larger-than-life, mammy culinary stereotype. This stereotype was used to...
Porch and University Galleries
Duke’s summer course, Capturing the City: Documentary Photography in Berlin, pushed students to immerse themselves fully in one of Europe’s most dynamic capital cities. They interpreted scenes of cultural life, public spaces, landscapes, and people. Project fieldwork sites included Tempelhof airfield—a Nazi-era airport made famous during the 1948–1949 Berlin Airlift and now used as a public park...
Juanita Kreps Gallery
It has an altitude of 2,700 feet so you can imagine how fine the air is & it is just at the crest of one of the Blue Ridge ranges with a most superb view across the valley at the mountains in the distance. —Elizabeth McClure to her cousin Martha Clarke, 1916
This exhibit features the final projects of six college seniors who will graduate with a CDS Certificate in Documentary Studies. Below are words from the seminar instructor, Alex Harris.
An exhibit on view in the Center for Documentary Studies Porch Gallery features the photographs of CDS undergraduate Sherry Zhang. As part of the RIPP Fellowship in the Documentary Arts, Zhang was mentored this past fall by CDS instructor and cofounder Alex Harris. Zhang’s documentary portrait series of Duke women explores the themes of trauma and transformation in each of the women’s lives.