Louisiana Trail Riders

Thursday, June 21, 2018 - 9:00am to Thursday, September 27, 2018 - 9:00pm
Jeremiah Ariaz
Lyndhurst Gallery, Center for Documentary Studies

SEPTEMBER 13 EVENT RESCHEDULED DUE TO WEATHER: Jeremiah Ariaz will now visit CDS for a reception and artist's talk on September 27, 2018; he will also sign copies of his new book based on the Louisiana Trail Riders project. Reception at 6 p.m., talk at 7 p.m. Directions.

“While riding my motorcycle in rural Louisiana, I encountered a large group of people riding horseback,” writes photographer Jeremiah Ariaz. “They commanded the road, and I pulled over for them to pass. . . . A gentleman near the end of the procession waved, encouraging me to join. So began my ride with the African American trail-riding clubs.”

Since 2014, Ariaz has been photographing various southwest Louisiana clubs’ weekend trail rides—the Crescent City Cowboys, Desperados, Buffalo Soldiers, and The Stepping In Style Riding Club, among other groups. Louisiana Trail Riders features selections from this body of work about the distinctive, little-known subculture that upends not only historic and pop-culture representations of cowboys as “gruff, serious, white, and situated in the West,” but also the media’s “prevailing contemporary images of difference and despair in black America.”

The African American trail riding clubs have their roots in the Creole culture formed “in the unique region of prairie grasslands divided by water in southwest Louisiana,” Ariaz writes, when “a population of Frenchmen, Native Americans, and free people of color took root. . . . Horsemanship became a common way of life. According to folklorist Connie Castille, ‘for many of Louisiana’s black men, the horse is still associated with freedom, independence, work and respect.’”

Ariaz says that the images “assert joy, pride, and family bonds, particularly between fathers and their sons, who are taught to care for and ride horses from an early age. . . . I’m drawn to the multi-generational gatherings, the mix of rural and urban sensibilities, and the zydeco music that provides an ongoing soundtrack to the weekends.”

Jeremiah Ariaz received his BFA from the Kansas City Art Institute and his MFA from the State University of New York at Buffalo. He has exhibited his works nationally and internationally. Notions of place and history, the relationship of idealized landscapes to the lived environments, and romantic myths of the West inform his artworks. Ariaz is an associate professor of art at Louisiana State University.

Image: Father and Son (Cecilia, LA), 2015. Photograph by Jeremiah Ariaz.