Post Mégantic

Monday, December 5, 2016 - 9:00am to Saturday, February 18, 2017 - 5:00pm
Michel Huneault
Kreps and Lyndhurst Galleries

Canadian documentary photographer Michel Huneault was awarded a solo show at CDS as part of the Lange-Taylor Prize, which he won in 2015 for Post Mégantic, his project on a small town in Quebec that was the site of Canada’s deadliest train disaster in 150 years. The $10,000 prize supports documentary artists, working alone or in teams, whose extended fieldwork projects rely on the interplay of words and images.

A meditation on loss and mourning, Post Mégantic incorporates photographs, videos, oral histories, and installations to tell the story of Lac-Mégantic, Quebec, where on the night of July 6, 2013, a cargo train from North Dakota carrying nearly 8 million liters of shale oil derailed and exploded, killing 47 people and effectively destroying the town. From a population of 6,000, one out of every 128 citizens died. The explosion leveled most of the town center, creating a 400-meter-wide area that is still inaccessible.

A New York Times Lens Blog story, a TIME Lightbox story, and a PDN Pulse feature on Huneault, Post Mégantic, and the Lange-Taylor Prize.

"After fourteen visits and seventy days on the ground, up to mid-July 2014,” Huneault writes in his project statement, “I had completed a symbolic one year of mourning with the community. . . . Through the seasons and aftershocks, I became friends with many Méganticois, sharing in the ebb and flow of their emotions: pain, anger, hope for healing and peace of mind. Late in 2014, I was present to document another peculiar event: After more than a year of debates, the city decided to flatten half of the Red Zone, the still-contaminated downtown, that had not been destroyed in the explosion but had continued to soak up oil. As a farewell, the zone was opened for eight hours on a single day. For the first time in eighteen months, the citizens had access to the heart of the town before it was erased.”

Huneault describes Post Mégantic as a “requiem to the victims,” a documentary narrative about life, death, the fragility of existence that he hopes will evoke for viewers of the work a “visceral sense of empathy, an appreciation based on introspection, imagination, and compassion.” His collaboration with the people and town of Lac-Mégantic will continue, as he returns “hopefully to find more light and healing.”