DocX Banner.

X as variable has guided the intentions of the Center for Documentary Studies’ DocX initiative since its inception — the idea that its projects will evolve as the practice of documentary evolves. The spirit of DocX remains a constant, driven by what documentary artists need to make their work most resonant in the world.

Text on tan background: DocX Development Lab–Otherwise Histories, Otherwise Futures, Center for Documentary Studies at Duke U.DocX is launching a new lab, the DocX Development Lab–Otherwise Histories, Otherwise Futures, to support artists and researchers whose archival practices, documentary art practices and scholarship seek to explore the history and possibility of living, thinking, being and sensing otherwise. Applications are due by November 27, 2023.

In this and future projects, DocX will work alongside other CDS programs and with departments across Duke University to meet the critical need for artists to be supported and nurtured in their imaginative thinking, exploring and questioning. Residencies, awards, workshops, mentorships and collaborative labs will give artists, researchers and curators the communal and financial support necessary to help further develop their bold visions. Any DocX programming strives to be a nourishing overall experience for artists.

The DocX pilot was funded from 2015–2020 by the Reva and David Logan Foundation with further support provided by the Revada Foundation. It has been an incubation space for developing and sharing innovative platforms, tools, ideas and opportunities around nonfiction storytelling, including: CDS DocBoX, an experiment in deep interactive “TV” that broadcasts content from CDS’s moving image archive; CDS Shortwave, where sound is the doorway to CDS’s work in the documentary arts; and the Susan E. Tifft Initiative on Documentary and Journalism, including the Susan Tifft Fellows program, unlocking potential for intersections across those fields.