DocX Diaries: Reflections From Six Fellows in Residency at CDS
What happens when documentary artists are given time, space and care to simply create? We asked the DocX fellows to reflect on their four-week residency.
Held in Durham at the Duke Center for Documentary Studies (CDS), DocX: Another World is Possible was created by Stephanie Owens and Nyssa Chow as an invitation for documentary artists to breathe and make. Four individual fellows and one collaborative duo were selected to advance their documentary projects at a pivotal stage of development or production. Their projects delve into personal and collective histories, reshaping narratives across mediums.
Fellowship and reciprocal care for artistic processes and intentions are essential for building a generative space. During orientation week, fellows participated in community-building sessions with Owens, Chow and visiting artists. They shared meals and engaged in candid conversations that sparked questions, revelations and laughter.
These early moments laid the foundation for a nourishing support system throughout the residency. Fellows then engaged with Duke faculty and students, joined in the annual Full Frame Documentary Film Festival and took in local offerings — all while devoting time to their own creative practice in studio space at CDS.
As the residency came to a close, we asked each fellow to pause and reflect. Their responses are poetic, personal and often intertwined. They speak of the alchemy of slowness, of how embodiment and rest deepen artistic engagement. They find intersections between creativity and caregiving, solitude and solidarity. Some delight in renewed direction — and even redefined artistic identities.
Read their reflections below and get a sense of what it’s like to be a documentarian given the freedom to explore.